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u know the feeling you get as you sit in an airport waiting for you flight to take off when you have a connecting flight you have to make? You're there an hour early, sitting in the terminal waiting. You notice the airplane hasn't arrived yet. No matter, you've still got plenty of time. As long as you take off no less than an hour late, you'll still be fine for your connection. But it gradually become a battle between optimism and reality, and as the clock starts ticking down, you come to the grim realization ten minutes before your deadline that the plane's not coming, you're going to miss your connection, and your vacation is ruined. Well that's what this past week has been like watching the Street Scene rumors trickle in. The latest, collected nicely for us at the UT's Liner Notes, indicate that She Wants Revenge, My Chemical Romance, Yellowcard and possibly Tool are added to the lineup. The possibility of pulling off an event to rival Lollapalooza that same August weekend appears to have evaporated almost laughably quickly, and as the clock ticks down towards the Monday lineup annoucement, one can only hope that whoever is piloting the Street Scene plane pulls off some Chuck Yeager style heroics to bring the bird in safely. What is most unsettling about the whole thing is not the lack fo indie buzz bands, or major headliners, but rather that the Street Scene seems completely focused in the absolute nadir of shitty genres: the emo/punk bands. The problem with these bands, none of which I have ever listened to and could not name a song or album by, is that they forgot something about the very basics of punk. Though the Sex Pistols were angry, and the Ramones could only play three chords, both of these bands were essentially pop music gone horribly awry. If you take away the sneering vocals, some of the distortion and slow it all down a wee bit, you've got a sixties pop song. Maybe take out the abortion and glue sniffing subject matter, but anyways. Bands like The Clash would further expound upon the inherent poppiness in early punk music, creating songs that build, segue, flow, you know, songs that behave like Beatles songs. I remember in 8th grade when Green Day came out with Dookie, and all the magazines talked about was the "return of punk." I was confused then, and only now realize that what they meant was the return of punk that you can actually listen to. Nobody's saying you have to puss out to make a pop-esque punk album. But at some point in time, I imagine that artists get a bit tired of playing unpleasant music, and decide that more ambitious goals (the long rumored fourth chord!) are worth a shot. So as an antidote for the shitty punk/emo that the Street Scene is offering up, I present to you San Diego's own Fifty On Their Heels. Listening to these guys the past couple days has really made me aware of the fact that a record does't have to go by at 120 mph and be shoved down your throat to be punk. The singer has a voice that you'll feel like you've heard many times before, sort of snotty, faux British. But where the band really shines is the music, which manages to never sound the same, and even accomplishes the ultimate punk coup of incorporating different musical passages and even different instruments into the same song. You know how on American Idiot, Green Day had a couple nine minute song "suites" that sounded like 6 different songs put together? Well my favorite song on the album, Occupation, pulls off a similar trick in just three and a half minutes. I hear traces of Rancid in the beginning, and Sex Pistols in the vocals, with a Strokes kind of guitar lick for the chorus and a Clash style breakdown all before it builds to an utterly triumphant, cut off too brief finale. The guys sound like they're having fun. Which is important. But more important, they sound like the kind of band that you could have fun going to see. Fortunately for you, they're playing two shows in San Diego in June, and will be playing lots more all summer long. Check out the myspace page for dates, a few more streaming songs as well as info on where to get their new CD. San Diego has been on a roll with local bands lately. It's too bad that the major summer festival looks headed in the opposite direction. Check out the artist's website: http://www.myspace.com/fiftyontheirheels Track List: 1. money, glamour, suicide 2. panic 3. occupation 4. this is 5. go away 6. a good friend Other Genres:
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